About
Welcome and thank you for virtually visiting me…
British born, raised in Northern California, and with East
Indian roots, my childhood was an intense blend of Bollywood and ballet, martial arts and musicals and many more cultural conundrums. I grew up speaking five languages, equally loving all cinema, from the swirling dramas drenched in song that Bollywood gave me to the fierce, raw indies and satirical dark comedies that made me think and feel, and everything in between. I love all art. Even bad art.
Expression is a way of life for me. I love crafting and inhabiting characters and the opportunity to exercise empathy and communicate ideas. An avid lover of mythology, psychology and philosophy, I admire the many ways stories are told and the power they can have to stir something inside of us and inspire change.
After graduating with degrees in English & Women’s Studies, I trained at the American Conservatory Theater in San Francisco and am grateful for the opportunity to create.
I’ve played a slew of ethnically ambiguous characters, including an Iraqi farmer’s wife, a Columbian boxer, an Indian bride-to-be, and a Puerto Rican cop. My favorite stage roles include Harper in Angels In America, Prudence in Beyond Therapy, and Susan in Do You Want to Buy My Brain? As a member of San Francisco’s Jump! Theatre, I wrote, produced, and starred (as an actor/singer/dancer) in the moody, mixed-media production of Terminally Female: A Cabaret, before migrating to Los Angeles.
Television credits include roles on SCANDAL, and NBC’s comedy 1600 PENN (recurring) and drama AWAKE. I can be seen in several short films (including festival darlings JAM and POSEY) as well as indie cult favorites such as DUST UP and WAY DOWN IN CHINATOWN.
I aim to contribute content that matters. Alongside being an actor, I redefined the term “short” with my comedic series, BROAD STROKES, am currently developing a psychological thriller (STAIN), and recently produced/starred in a feature (ABOUT STRANGERS) and a short (BREAK) – under the umbrella of my nascent production company, Elegant Grotesque.
I also serve as Editor-in-Chief of the L.A. based film collective We Make Movies.